{"id":2986,"date":"2020-01-08T15:37:24","date_gmt":"2020-01-08T14:37:24","guid":{"rendered":"http:\/\/www.diasporafriends.de\/zzantje\/outlanders-2006\/"},"modified":"2020-02-23T13:10:21","modified_gmt":"2020-02-23T12:10:21","slug":"outlanders-2006","status":"publish","type":"post","link":"https:\/\/www.antjepfundtner.de\/en\/outlanders-2006\/","title":{"rendered":"Outlanders (2006)"},"content":{"rendered":"\n<p><strong>World Premiere 2006<\/strong><br><br>The word \u201eOutlanders\u201c does not exist. \u201eHeimat\u201c doesn\u2019t either, which \u2013 to make reference to Bernhard Schlink \u2013 is a \u201enon-location\u201c, a location of longing, which is always precisely where you no longer are.<br><br>Arriving at a foreign place, questions of orientation, experiencing cultural difference \u201ebodily\u201c in language, behavior and movement codes, the issue of understanding, interpreting and (mis)understanding all serve as points of departure for common choreographic work on \u201eOutlanders\u201c.<br><br>The process was not only about artistic or cultural exchange, but rather a fundamental\/ expanded investigation into understanding and misunderstanding, as well as the associated difficulties\/ problems\/ complications.<br><br>What conditions make an Outlander an Outlander? And when are you no longer foreign, and why do some things always remain foreign?<\/p>\n\n\n<section class=\"apiggalerie\">\t\n\t\n\t\t\t\t\t\t<h2>Photos<\/h2>\n\t\t\t\t\n\t\t<div class=\"owl-carousel\">\n\t\t\n\t\t\t\t\t\t\t\t    \t\t    \n\t\t    \t\t    <div class=\"row small-up-1 medium-up-3\">\n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1350800645\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-1-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-1-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1350800645\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-2-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-2-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1350800645\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-3-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-3-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1350800645\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-4-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-outlanders-ricky-wong-4-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t\t\n\t\t\t\t\t\t    \n\t\t    <\/div>\n\t\t    \t\t\t\n\t\t<\/div>\n\t\t\n\t\t\t\t\t<p class=\"apiggalcredits\">Photos: Ricky Wong<\/p>\n\t\t\t\t\n<\/section>\n\n\t\t<h2 class=\"apigueberschrift\">Press<\/h2>\n\n\n\n<p><em>\u201eAntje Pfundtner and Wen Hui (\u2026) \u2013 one German, the other Chinese \u2013 worked together and perhaps against one another for a number of weeks in Beijing. \u201aOutlanders\u2018 was the result, a one-hour piece that tells a tale of very different kinds of foreignness with an odd humor and melancholy. (\u2026) In a very convincing way, the two choreographers transfer their insecurities into their bodies (\u2026).\u201c<\/em> Sylvia Staude\/ Frankfurter Rundschau<br><br><em>\u201eThe scenes occasionally clash in a rough and edgy way, but \u201aOutlanders\u2018 succeeds in transforming what some cultural anthropologists have achieved who transformed their \u201aparticipatory observation\u2018 into literature: confrontation and a curious study of your opposite in his or her life context are tied together into a kind of open interpretation \u2013 in the form of Tanztheater. And since the whole thing is not just a European view on China, but also the Chinese people\u2019s view of what \u201alo wai\u2018 is, \u201aOutlanders\u2018 has a very inspiring effect.\u201c<\/em> Eva-Maria Magel\/ Rhein-Main-Zeitung<\/p>\n","protected":false},"excerpt":{"rendered":"<p>World Premiere 2006 The word \u201eOutlanders\u201c does not exist. \u201eHeimat\u201c doesn\u2019t either, which \u2013 to make reference to Bernhard Schlink \u2013 is a \u201enon-location\u201c, a location of longing, which is always precisely where you no longer are. Arriving at a foreign place, questions of orientation, experiencing cultural difference \u201ebodily\u201c in language, behavior and movement codes, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Outlanders (2006) | Antje Pfundtner in Gesellschaft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antjepfundtner.de\/en\/outlanders-2006\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Outlanders (2006) | Antje Pfundtner in Gesellschaft\" \/>\n<meta property=\"og:description\" content=\"World Premiere 2006 The word \u201eOutlanders\u201c does not exist. \u201eHeimat\u201c doesn\u2019t either, which \u2013 to make reference to Bernhard Schlink \u2013 is a \u201enon-location\u201c, a location of longing, which is always precisely where you no longer are. 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