{"id":2996,"date":"2020-01-08T15:50:00","date_gmt":"2020-01-08T14:50:00","guid":{"rendered":"http:\/\/www.diasporafriends.de\/zzantje\/tim-acy\/"},"modified":"2020-02-23T14:11:46","modified_gmt":"2020-02-23T13:11:46","slug":"tim-acy","status":"publish","type":"post","link":"https:\/\/www.antjepfundtner.de\/en\/tim-acy\/","title":{"rendered":"TIM ACY (2010)"},"content":{"rendered":"\n<p><strong>World Premiere: April 28th, 2010, Kampnagel Hamburg<\/strong><br><br><em>\u201eWho am I? Who knows?\u201c<\/em><br><br>In \u201eTIM ACY\u201c, Antje Pfundtner devotes herself to the question: is the intimacy inherent in solos simply a strategy to achieve complicity with the audience?<br>As a self-ironically displayed exhibit, she challenges dance\u2019s solo laws, searches for paths towards self-representation and jeopardizes the legibility of her self. She unveils a dazzling portrait that is fed by the audience\u2019s expectant gaze.<br><br><em>\u201eTIM ACY?! \u2026 is the composite of my I and the appreciation of my nothingness. It stays with me in the audience and occasionally tells of its expectations.\u201c<\/em> Antje Pfundtner<br><br>With and by: Antje Pfundtner<br>Music: Sven Kacirek<br>Dramaturgy: Anne Kersting<br>Set: Sabine Kohlstedt, Yvonne Marcour<br>Lighting: Michael Lentner <br>Production management: DepArtment<br><br>A production by Antje Pfundtner. Co-produced by: Kampnagel Hamburg, FFT D\u00fcsseldorf, OisNotAcCompany\/Linz 2009. Supported by: NATIONALES PERFORMANCE NETZ aus Mitteln des Tanzplans Deutschland der Kulturstiftung des Bundes, Kunststiftung NRW.<\/p>\n\n\n\n<div class=\"wp-block-columns logospalte is-layout-flex wp-container-13 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1.jpg\" alt=\"\" class=\"wp-image-2103\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" 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width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/npn-schwarz-wp.jpg\" alt=\"\" class=\"wp-image-2067\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/npn-schwarz-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/npn-schwarz-wp-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2.jpg\" alt=\"\" class=\"wp-image-2153\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-11 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n<section class=\"apiggalerie\">\t\n\t\n\t\t\t\t\t\t<h2>Photos <\/h2>\n\t\t\t\t\n\t\t<div class=\"owl-carousel\">\n\t\t\n\t\t\t\t\t\t\t\t    \t\t    \n\t\t    \t\t    <div class=\"row small-up-1 medium-up-3\">\n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1742498546\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-3-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-3-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1742498546\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-2-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-2-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1742498546\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-1-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-1-kachel.-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1742498546\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/apig-tim-acy-simone-scardovelli-4-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/11\/about-antje-pfundtner-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t\t\n\t\t\t\t\t\t    \n\t\t    <\/div>\n\t\t    \t\t\t\n\t\t<\/div>\n\t\t\n\t\t\t\t\t<p class=\"apiggalcredits\">Photos: Simone Scardovelli<\/p>\n\t\t\t\t\n<\/section>\n\n\t\t<h2 class=\"apigueberschrift\">Press<\/h2>\n\n\n\n<p><em>\u201eShe develops her art from the tension between different realities; she shows the approach of an artist who believes in the inherent power of dance and theater but still critically reflects their mechanizations. She reanimates their ancient languages of poetry and magic with the means of contemporary artistic strategies.\u201c<\/em> Irmela K\u00e4stner\/ Die Welt<br><br><em>\u201eAntje Pfundtner (\u2026) is very precise in her art, but doesn\u2019t take herself too seriously. As a dancing comedian, Pfundtner is the surprising exception in the German contemporary art scene: she not only masters physical comedy, but also amuses the audience, which is wrapped around her finger, with her wordplay.\u201c <\/em>Klaus Witzeling\/ Hamburger Abendblatt<\/p>\n\n\n\t\t<h2 class=\"apigueberschrift\">Video<\/h2>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"vimeo-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iQW50amUgUGZ1bmR0bmVyIC0gVElNIEFDWSIgc3JjPSJodHRwczovL3BsYXllci52aW1lby5jb20vdmlkZW8vMTI4MzM2MTc\/ZG50PTEmYW1wO2FwcF9pZD0xMjI5NjMiIHdpZHRoPSI2NDAiIGhlaWdodD0iMzYwIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImF1dG9wbGF5OyBmdWxsc2NyZWVuIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\"><div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-vimeo\"> <div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/borlabs-cookie\/1\/vimeo_12833617.jpg')\"><\/div> <div class=\"brlbs-cmpnt-cb-main\"> <div class=\"brlbs-cmpnt-cb-play-button\"><\/div> <div class=\"brlbs-cmpnt-cb-content\"> <p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>Vimeo<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div> <div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock content<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>World Premiere: April 28th, 2010, Kampnagel Hamburg \u201eWho am I? Who knows?\u201c In \u201eTIM ACY\u201c, Antje Pfundtner devotes herself to the question: is the intimacy inherent in solos simply a strategy to achieve complicity with the audience?As a self-ironically displayed exhibit, she challenges dance\u2019s solo laws, searches for paths towards self-representation and jeopardizes the legibility [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>TIM ACY (2010) | Antje Pfundtner in Gesellschaft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antjepfundtner.de\/en\/tim-acy\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"TIM ACY (2010) | Antje Pfundtner in Gesellschaft\" \/>\n<meta property=\"og:description\" content=\"World Premiere: April 28th, 2010, Kampnagel Hamburg \u201eWho am I? Who knows?\u201c In \u201eTIM ACY\u201c, Antje Pfundtner devotes herself to the question: is the intimacy inherent in solos simply a strategy to achieve complicity with the audience?As a self-ironically displayed exhibit, she challenges dance\u2019s solo laws, searches for paths towards self-representation and jeopardizes the legibility [&hellip;]\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.antjepfundtner.de\/en\/tim-acy\/\" \/>\n<meta property=\"og:site_name\" content=\"Antje Pfundtner in Gesellschaft\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/de-de.facebook.com\/antje.pfundtner\" \/>\n<meta property=\"article:published_time\" content=\"2020-01-08T14:50:00+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2020-02-23T13:11:46+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1.jpg\" \/>\n<meta name=\"author\" content=\"jonaswmwde\" \/>\n<meta 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