{"id":3017,"date":"2020-01-13T18:00:18","date_gmt":"2020-01-13T17:00:18","guid":{"rendered":"http:\/\/www.diasporafriends.de\/zzantje\/aus-der-reihe-tanzen-2015\/"},"modified":"2020-02-24T11:52:14","modified_gmt":"2020-02-24T10:52:14","slug":"aus-der-reihe-tanzen-2015","status":"publish","type":"post","link":"https:\/\/www.antjepfundtner.de\/en\/aus-der-reihe-tanzen-2015\/","title":{"rendered":"Aus der Reihe tanzen (2015)"},"content":{"rendered":"\n<p><strong>World Premiere: October 21st, 2015, Kampnagel Hamburg<\/strong><br><br>\u201eWollen Sie mich auf den Arm nehmen?\u201c (Do you want to pull my leg?), or maybe better yet \u201edie Beine in die Hand nehmen\u201c (take to one\u2019s heels)? \u2013 As in English, many idioms in German make reference to the human body. But what was there first, the idiom or possibly the image that it describes? In the past, the Hamburg choreographer Antje Pfundtner\u2019s pieces focused on the duality of language and dance \u2013 now, in her new group piece, \u201eAus der Reihe tanzen\u201c, she is taking language literally and following in its footsteps: a choreography develops that is subject to the directions given by idioms and proverbs, and \u2013 cross your heart \u2013 is devoted to the question of which of the two (dance or language) needs a translation in order to be legible. Antje Pfundtner puts our usual stage reading material on the line and exaggerates it to such an extent that it begins to become untranslatable.<br><br>Do dance semantics exist? And is it the translation that gives a choreography its meaning?<br><br>Idea, concept &amp; choreography: Antje Pfundtner<br>Dance: Verena Brakonier, Magnus Dov\u00e4rn, Jill Emerson, Matthew Rogers<br>Dramaturgy: Anne Kersting<br>Music: Sven Kacirek<br>Stage: Yvonne Marcour<br>Video: Philipp Haupt<br>Lighting: Michael Lentner<br>Sound: Manuel Horstmann<br>Artistic assistant: Juliana Oliveira<br>Production: Hannah Melder<br><br>\u201eAus der Reihe tanzen\u201c is a production of Antje Pfundtner in Gesellschaft in a coproduction with Kampnagel Hamburg, Theater Freiburg and the FFT D\u00fcsseldorf. \u201eAus der Reihe tanzen\u201c is supported by the Freie und Hansestadt Hamburg, Kulturbeh\u00f6rde, the Fonds Darstellende K\u00fcnste e.V., the Kunststiftung NRW and the Hamburgische Kulturstiftung.<\/p>\n\n\n\n<div class=\"wp-block-columns logospalte is-layout-flex wp-container-13 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1.jpg\" alt=\"\" class=\"wp-image-2103\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/kampnagel-logo-wp-1-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/logo-freiburg-wp-2.jpg\" alt=\"\" class=\"wp-image-2410\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/logo-freiburg-wp-2.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/logo-freiburg-wp-2-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fft_duesseldorf-wp-1.jpg\" alt=\"\" class=\"wp-image-2271\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fft_duesseldorf-wp-1.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fft_duesseldorf-wp-1-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp.jpg\" alt=\"\" class=\"wp-image-2079\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-11 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fondsDaKu-Logo-sw-wp.jpg\" alt=\"\" class=\"wp-image-2049\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fondsDaKu-Logo-sw-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/fondsDaKu-Logo-sw-wp-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2.jpg\" alt=\"\" class=\"wp-image-2153\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/knrw-logo-s-wp-2-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns logospalte is-layout-flex wp-container-20 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-16 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-large\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/hamburgische-kulturstiftung-wp-1.jpg\" alt=\"\" class=\"wp-image-2061\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/hamburgische-kulturstiftung-wp-1.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/hamburgische-kulturstiftung-wp-1-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<section class=\"apiggalerie\">\t\n\t\n\t\t\t\t\t\t<h2>Photos<\/h2>\n\t\t\t\t\n\t\t<div class=\"owl-carousel\">\n\t\t\n\t\t\t\t\t\t\t\t    \t\t    \n\t\t    \t\t    <div class=\"row small-up-1 medium-up-3\">\n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1002009560\" 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href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-8-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-8-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1002009560\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-12-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-12-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie1002009560\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-15-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2019\/12\/apig-aus-der-reihe-tanzen-simone-scardovelli-15-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t\t\n\t\t\t\t\t\t    \n\t\t    <\/div>\n\t\t    \t\t\t\n\t\t<\/div>\n\t\t\n\t\t\t\t\t<p class=\"apiggalcredits\">Photos: Simone Scardovelli<\/p>\n\t\t\t\t\n<\/section>\n\n\t\t<h2 class=\"apigueberschrift\">Press<\/h2>\n\n\n\n<p><em>\u201eThe four dancers Verena Brakonier, Jill Emerson, Matthew Rogers and Magnus Dov\u00e4rn transpose proverbs onto the stage. Some of it is quite direct and understandable, but it is often also removed from literal meanings \u2013 liberated by the means of contemporary dance, turns, somersaults and aerials. Watching it is a joy. A unique \u2018Gesamtkunstwerk\u2019 is created, a carnival of poetic images and rhythms by the musician Sven Kacirek, so that one always amazed at something. The dancers speak directly to the audience and thus connect well. A small sound studio at the edge of the stage serves as a control center. Above all, the Marina Abramovic performer Matthew Rogers develops a beautiful, wandering ease on stage. The experiment bursts with humor; the costumes become more daring, animalistic, and an alpine horn resounds. It\u2019s nice, what continuous work in dance can accomplish.\u201c<\/em> Annette Stiekele\/ Hamburger Abendblatt<\/p>\n\n\n\t\t<h2 class=\"apigueberschrift\">Video<\/h2>\n\n\n\n<figure class=\"wp-block-embed-vimeo wp-block-embed is-type-video is-provider-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\">\n <div class=\"brlbs-cmpnt-container brlbs-cmpnt-content-blocker brlbs-cmpnt-with-individual-styles\" data-borlabs-cookie-content-blocker-id=\"vimeo-content-blocker\" data-borlabs-cookie-content=\"PGlmcmFtZSB0aXRsZT0iQW50amUgUGZ1bmR0bmVyIGluIEdlc2VsbHNjaGFmdCAtIEF1cyBkZXIgUmVpaGUgdGFuemVuIiBzcmM9Imh0dHBzOi8vcGxheWVyLnZpbWVvLmNvbS92aWRlby8xNDY3Njk5ODM\/ZG50PTEmYW1wO2FwcF9pZD0xMjI5NjMiIHdpZHRoPSI2NDAiIGhlaWdodD0iMzYwIiBmcmFtZWJvcmRlcj0iMCIgYWxsb3c9ImF1dG9wbGF5OyBmdWxsc2NyZWVuIiBhbGxvd2Z1bGxzY3JlZW4+PC9pZnJhbWU+\"><div class=\"brlbs-cmpnt-cb-preset-c brlbs-cmpnt-cb-vimeo\"> <div class=\"brlbs-cmpnt-cb-thumbnail\" style=\"background-image: url('https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/borlabs-cookie\/1\/vimeo_146769983.jpg')\"><\/div> <div class=\"brlbs-cmpnt-cb-main\"> <div class=\"brlbs-cmpnt-cb-play-button\"><\/div> <div class=\"brlbs-cmpnt-cb-content\"> <p class=\"brlbs-cmpnt-cb-description\">You are currently viewing a placeholder content from <strong>Vimeo<\/strong>. To access the actual content, click the button below. Please note that doing so will share data with third-party providers.<\/p> <a class=\"brlbs-cmpnt-cb-provider-toggle\" href=\"#\" data-borlabs-cookie-show-provider-information role=\"button\">More Information<\/a> <\/div> <div class=\"brlbs-cmpnt-cb-buttons\"> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-unblock role=\"button\">Unblock content<\/a> <a class=\"brlbs-cmpnt-cb-btn\" href=\"#\" data-borlabs-cookie-accept-service role=\"button\" style=\"display: inherit\">Accept required service and unblock content<\/a> <\/div> <\/div> <\/div><\/div>\n<\/div><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>World Premiere: October 21st, 2015, Kampnagel Hamburg \u201eWollen Sie mich auf den Arm nehmen?\u201c (Do you want to pull my leg?), or maybe better yet \u201edie Beine in die Hand nehmen\u201c (take to one\u2019s heels)? \u2013 As in English, many idioms in German make reference to the human body. But what was there first, the [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Aus der Reihe tanzen (2015) | Antje Pfundtner in Gesellschaft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antjepfundtner.de\/en\/aus-der-reihe-tanzen-2015\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Aus der Reihe tanzen (2015) | Antje Pfundtner in Gesellschaft\" \/>\n<meta property=\"og:description\" content=\"World Premiere: October 21st, 2015, Kampnagel Hamburg \u201eWollen Sie mich auf den Arm nehmen?\u201c (Do you want to pull my leg?), or maybe better yet \u201edie Beine in die Hand nehmen\u201c (take to one\u2019s heels)? \u2013 As in English, many idioms in German make reference to the human body. 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