{"id":3023,"date":"2020-01-13T18:21:11","date_gmt":"2020-01-13T17:21:11","guid":{"rendered":"http:\/\/www.diasporafriends.de\/zzantje\/alles-auf-anfang-2018\/"},"modified":"2020-02-28T13:06:03","modified_gmt":"2020-02-28T12:06:03","slug":"alles-auf-anfang-2018","status":"publish","type":"post","link":"https:\/\/www.antjepfundtner.de\/en\/alles-auf-anfang-2018\/","title":{"rendered":"Alles auf Anfang (2018)"},"content":{"rendered":"\n

World Premiere: February 15th, 2018, Kampnagel Hamburg <\/strong>

\u201e\u2026 since every person is an initium, a beginning and new arrival in the world, humans can take the initiative, become beginners and get new things moving.\u201c<\/em> Hannah Arendt

For Jan

In her trilogy about transience, Antje Pfundtner in Gesellschaft reflects on the laws of time. While \u201eENDE\u201c<\/a> \u2013 the first part of the trilogy \u2013 addressed melancholy, which incites an impending end, \u201eAlles auf Anfang\u201c is devoted to the beginners.

They have no intention to move mountains, they will not promise anything auspicious \u2013 they start to act and then see what effect their action has.

They start like this: a small group of people has prepared something for a large group of people. The large group is so touched that they grow very silent and wait with high expectations for the event that will not take place. And then someone dares to take the first step \u2013 the rest remains unpredictable.

In \u201eAlles auf Anfang\u201c, Antje Pfundtner in Gesellschaft turns the theater stage into a blank page and celebrates, in the presence of many people and myths, their absent void.

Idea & concept: Antje Pfundtner in Gesellschaft
Choreography: Antje Pfundtner
Dance: Dani Brown, Frank Koenen, Antje Pfundtner, Matthew Rogers, Anna Till
Dramaturgy: Anne Kersting
Music: Nikolaus Woernle
Stage: Irene P\u00e4tzug
Artistic assistant: Juliana Oliveira
Costumes: Yvonne Marcour
Lighting: Michael Lentner
Choreographic assistant final rehearsals: Trinidad Mart\u00ednez
Artist support: Angela Kecinski
Mechanics: Lars Vaupel
Stage support: Bj\u00f6rn Westpfahl
Production: Hannah Melder

\u201eAlles auf Anfang\u201c is a production by Antje Pfundtner in Gesellschaft in coproduction with Kampnagel Hamburg, HELLERAU \u2013 Europ\u00e4isches Zentrum der K\u00fcnste Dresden and FFT D\u00fcsseldorf. \u201eAlles auf Anfang\u201c is supported by the Freie und Hansestadt Hamburg, Beh\u00f6rde f\u00fcr Kultur und Medien, the Fonds Darstellende K\u00fcnste which is funded by the Federal Government Commissioner for Culture and the Media, the Kunststiftung NRW and the Hamburgische Kulturstiftung.<\/p>\n\n\n\n

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Photos: Simone Scardovelli<\/p>\n\t\t\t\t\n<\/section>\n\n\t\t

Press<\/h2>\n\n\n\n

\u201eWith a subtle and humorous touch, she addresses the mythical and commonplace and celebrates repetition and rituals. And, in the process, she manages to achieve a high level of performative transparency. The lighthearted happiness that resonates in it all is typical for Pfundtner\u2019s unique dance language. She creates herself from a stubborn precision, an urgent seriousness and, above all, from a disarming openness with which \u2013 and in which \u2013 Pfundtner and her ensemble operate. And from the very beginning.\u201c<\/em> Katrin Ullmann\/ taz

\u201e\u201aAlles auf Anfang\u2018, roughly \u201aBack to the Start\u2018 \u2013 that\u2019s the title of Antje Pfundtner in Gesellschaft\u2019s world premiere at Kampnagel. After \u201aEnde\u2018, it is the second part of her trilogy about transience. And once again, the Hamburg choreographer and her team devoted themselves to the subject in an intelligent mix of text, music and, yes, movement. (\u2026) The following applies to this choreography: every beginning is full of magic.\u201c<\/em> Annette Stiekele\/ Hamburger Abendblatt

\u201eQuestioning things is certainly Antje Pfundtner\u2019s hallmark: identity in and of itself, the conditions of performance in theater, the audience\u2019s function, the borders between us and me. The only sure thing in Antje Pfundtner\u2019s works is that you should never rely on sure things. Her performances offer the audience no prefabricated schemes. In \u201aAlles auf Anfang\u2018, all convention is thrown overboard at the very beginning. (\u2026) This is no evening in which you can just lean back and relax. (\u2026) You can rely on nothing and no one. There is also no fourth wall; every expectation is undercut. Everything turns off in a different direction. An endless series of breaks. (\u2026) If things don\u2019t seem to fit to one another, then it\u2019s just because things don\u2019t have to fit together. Sociology speaks of a tolerance for ambiguity. And dealing with these ambiguities is intellectual ecstasy. Not everyone has the ability to stand in one place for an entire hour with such intelligence.\u201c<\/em> Rico Stehfest\/ tanznetz.de<\/p>\n\n\n\t\t

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World Premiere: February 15th, 2018, Kampnagel Hamburg \u201e\u2026 since every person is an initium, a beginning and new arrival in the world, humans can take the initiative, become beginners and get new things moving.\u201c Hannah Arendt For Jan In her trilogy about transience, Antje Pfundtner in Gesellschaft reflects on the laws of time. 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