{"id":7227,"date":"2025-07-04T21:05:33","date_gmt":"2025-07-04T19:05:33","guid":{"rendered":"https:\/\/www.antjepfundtner.de\/?p=7227"},"modified":"2025-11-05T16:46:56","modified_gmt":"2025-11-05T15:46:56","slug":"fuhler-2025-slid-in-cooperation-with-the-junges-schauspielhaus-hamburg","status":"publish","type":"post","link":"https:\/\/www.antjepfundtner.de\/en\/fuhler-2025-slid-in-cooperation-with-the-junges-schauspielhaus-hamburg\/","title":{"rendered":"F\u00fchler (2025, SLiD in cooperation with the Junges Schauspielhaus Hamburg)"},"content":{"rendered":"\n<p><strong>World premiere: 30 October 2025, Wiesendamm main stage<\/strong><\/p>\n\n\n\n<p>Perhaps the time has come and we have already arrived in a time that will later be called: Do you remember the time when bodies became taboo and touch was lost? They were replaced by likes. Touching started to be disturbing: Too close, too suggestive, too curious, too freedom-loving, too sensual &#8211; simply too dangerous! Yet there has always been a great longing to be touched by something or someone, to experience security, to feel a connection &#8211; with the world, with my counterpart, with the raindrop that hits the tip of my finger.<\/p>\n\n\n\n<p>Three choreographers defy disembodiment with bodies that touch each other and are at a loss for words. They not only overturn the law of human distance, they also call for a rethink of touch and ask: What about touching and being touched? What feelings and fears are associated with it? What is created in the moment of touch &#8211; a world, my world, my body, myself? Jenny Beyer, Antje Pfundtner and URSina Tossi invite young people to think about alternative presences and to try out forms of touch as encounters and communication. Young dancers between 14 and 21 do not stop at any body and stretch out their feelers far and wide. Whether human, air or stone, whether sensual or symbolic, they touch it, hold it, let it go, approach it again. Every now and then they say, as if it were the most normal thing in the world: Hello, I want to be touched. It doesn&#8217;t have to be long, but I&#8217;d like it now.<br><br>&#8220;F\u00dcHLER&#8221; is a production with integrated artistic audio description for people with and without visual impairments. <br><br><strong>World premiere: 30.10.2025<br>Further performance dates: 02.+13.+14.11.+06.12.2025 and 28.\/29.01.2026<br>Tickets and further information can be found <a href=\"https:\/\/junges.schauspielhaus.de\/stuecke\/fuehler\" target=\"_blank\" rel=\"noreferrer noopener\">here<\/a>.<\/strong><br><br><strong>Cast:<\/strong> Marta Bergerhoff, Julien Cogn\u00e9, Amanda D\u00e4nhardt, Jellina Dettmer, Merle Gramm, Ray Ellinger, Levi Fabian, Stina Husmann, Erik K\u00f6pke, Sayeh Khalaj, Frida Helene Lampe, Lucie Lang, Selma Lojenburg, Dayana Lusina, Janne Morgenweck, Anna Leticia Nagy de Valdoleiros, Leni Nasner, Elza Pr\u00f6pper, Leila Roze, Julia Schmude, Toni Sch\u00fc\u00dfler, Emily Stahlkopf, Johann Nepomuk Steffel, Martha St\u00f6ckmann, Paula van der Heijden, Olivia Wittkuhn<br><strong>Direction and choreography:<\/strong> Jenny Beyer, Antje Pfundtner, URSina Tossi (Shared Leadership in Dance, SLiD*)<br><strong>Stage design:<\/strong> Yvonne Marcour, Irene P\u00e4tzug<br><strong>Costumes:<\/strong> Yvonne Marcour<br><strong>Music and composition: <\/strong>Jetzmann, Nikolaus Woernle, Johannes Miethke<br><strong>Lighting:<\/strong> Ole Dahnke<br><strong>Dramaturgy:<\/strong> Anne Kersting, Till Wiebel<br><strong>Theatre education and production management:<\/strong> Laura Brust<br><strong>Audio description:<\/strong> Anngret Schultze<\/p>\n\n\n\n<p>*SLiD is a commitment to collaboration and to sharing knowledge, resources, and labor in the field of dance. It was initiated by the three choreographers <a href=\"https:\/\/jennybeyer.de\/en\/\" target=\"_blank\" rel=\"noreferrer noopener\">Jenny Beyer<\/a>, Antje Pfundtner in Gesellschaft (APiG), <a href=\"https:\/\/ursinatossi.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">URSina Tossi<\/a> and their teams.<\/p>\n\n\n\n<p>In cooperation with the Junges SchauSpielHaus Hamburg. Funded by the Freie und Hansestadt Hamburg, Beh\u00f6rde f\u00fcr Kultur und Medien and the ZEIT STIFTUNG BUCERIUS.<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-10 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-3 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"340\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/logo_junges-schauspielhaus-wp.jpg\" alt=\"\" class=\"wp-image-7222\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/logo_junges-schauspielhaus-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/logo_junges-schauspielhaus-wp-300x300.jpg 300w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/logo_junges-schauspielhaus-wp-150x150.jpg 150w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"240\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp.jpg\" alt=\"\" class=\"wp-image-2079\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2020\/01\/behoerde-kum-sw-wp-300x212.jpg 300w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-full\"><img decoding=\"async\" loading=\"lazy\" width=\"340\" height=\"340\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/zeit-stiftung-ebelin-und-gerd-bucerius-logo-wp.jpg\" alt=\"\" class=\"wp-image-7224\" srcset=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/zeit-stiftung-ebelin-und-gerd-bucerius-logo-wp.jpg 340w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/zeit-stiftung-ebelin-und-gerd-bucerius-logo-wp-300x300.jpg 300w, https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/07\/zeit-stiftung-ebelin-und-gerd-bucerius-logo-wp-150x150.jpg 150w\" sizes=\"(max-width: 340px) 100vw, 340px\" \/><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n<\/div>\n\n\n<section class=\"apiggalerie\">\t\n\t\n\t\t\t\t\t\t<h2>Photos<\/h2>\n\t\t\t\t\n\t\t<div class=\"owl-carousel\">\n\t\t\n\t\t\t\t\t\t\t\t    \t\t    \n\t\t    \t\t    <div class=\"row small-up-1 medium-up-3\">\n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-P3A4686-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-P3A4686-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1698-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1698-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1397-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1397-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1344-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-S1344-kachel-wp.jpg\" alt=\"\" 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\/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-H5925-overlay-wp.jpg\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"https:\/\/www.antjepfundtner.de\/wp-content\/uploads\/2025\/11\/apig-3-H5925-kachel-wp.jpg\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t        \n\t\t    <\/div>\n\t\t    \t\t    \n\t\t    \t\t    \t\t    \n\t\t    \t\t    <div class=\"row small-up-1 medium-up-3\">\n\t\t    \t\t    \n\t\t        \t\t        <a class=\"column column-block\" rel=\"apiggalerie368271973\" href=\"\">\n\t\t\t\t    \t\t\t        <img decoding=\"async\" src=\"\" alt=\"\" \/>\n\t\t        <\/a>\n\t\t    \n\t\t    \t\t    \n\t\t    \t\t    \t\t\t\n\t\t\t\t\t\t    \n\t\t    <\/div>\n\t\t    \t\t\t\n\t\t<\/div>\n\t\t\n\t\t\t\t\t<p class=\"apiggalcredits\">Photos: Sinje Hasheider<\/p>\n\t\t\t\t\n<\/section>","protected":false},"excerpt":{"rendered":"<p>World premiere: 30 October 2025, Wiesendamm main stage Perhaps the time has come and we have already arrived in a time that will later be called: Do you remember the time when bodies became taboo and touch was lost? They were replaced by likes. Touching started to be disturbing: Too close, too suggestive, too curious, [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,12],"tags":[],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v21.4 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>F\u00fchler (2025, SLiD in cooperation with the Junges Schauspielhaus Hamburg) | Antje Pfundtner in Gesellschaft<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.antjepfundtner.de\/en\/fuhler-2025-slid-in-cooperation-with-the-junges-schauspielhaus-hamburg\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"F\u00fchler (2025, SLiD in cooperation with the Junges Schauspielhaus Hamburg) | Antje Pfundtner in Gesellschaft\" \/>\n<meta property=\"og:description\" content=\"World premiere: 30 October 2025, Wiesendamm main stage Perhaps the time has come and we have already arrived in a time that will later be called: Do you remember the time when bodies became taboo and touch was lost? 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